2^nd《Save the Planet》International Artists Exhibition

第二屆《守護地球》國際藝術家大展

2021/11/02(二)~ 2021/11/29(一)

臺南市政府 民治市政中心 一樓展廳

【Well-known Artist-Taiwan】 LIN  PI  YUN   林   碧雲 ( 嵐 晴 ) 

LIN  PI  YUN   林   碧雲 ( 嵐 晴 ) 

1951年出生於宜蘭。

學畫15年，師承林興老師、張朝凱老師、江漢清老師以及郭掌從老師。

擅長以誇張扭曲的比例捕捉物體的殊性，用色大膽，將自身比擬為顏料實驗者。

曾有多次參展經驗，為台灣知名創作者。

至目前舉辦過兩次個展。

藝術經歷:

102年宜蘭美展入選

104年金龜不老獎入選

105年樂活粉彩佳作

106年台韓藝術文化交流展

107年國際翰丹青書畫邀請站展

108年中正紀念堂兩岸藝術創作大展

109年宜蘭文化局”畫訴人生”個展

109年宜蘭陽明醫學院”生活在藝”個展

110年入選《和平協會》於大馬士革舉辦國際展覽

110年入選《印度-台灣》國際當代藝術及書法展覽

【作者自述】
台灣在民國40多年代，是一個物資貧乏的年代。我家務農，生活更是清貧。但從五歲起就發覺自己極為熱愛藝術，在閒暇之餘，拾起稻桿，在泥地上隨意畫著，心許未來能成為一名藝術家。但現實裡，無法得到家人的認同。因為，藝術難以謀生。不得已，只能選擇去念商職。拚了半世紀後，生活較為安定，方重新追求往日嚮往的藝術生活。

我愛繪畫，在創作的過程中，我擁有色彩的主導權，揮灑色彩可獲得呼風喚雨的痛快。心靈與思想，可齊頭並進。在學畫的歷程裡，我有緣接受多位老師的指導，並從中習得多元的風格。我嘗試突破大眾美學，除了不願受到媒材約束，更因為我喜愛做自己。我目睹大地千變萬化的風采，更在人生的旅程歷經無數的轉變，收藏在心裡的記憶成為創作的靈感，我認為藝術乃是生活的體現。

首先，對中國的藝術的認識，尤其喜愛水墨畫的精神，以及氣韻生動以形寫神的風格。我在中國水墨畫中遇見自性，身心靈舒暢。我將水墨中的平、圓、留、重、變，視為與人和樂相處之道。又或者，大量留白的心法，使適當留白的人生反而如水墨畫更加動人精彩，也保有更多可能性與發展空間。

我也不斷攝取西方繪畫，西方的文化對我的作畫影響甚多。我特別欣賞稀奇古怪的畫作，把各式各樣的風格賦予在展現主體。我會使用多點透視，又或者當我沈浸在我的意識洪流中，我乾脆捨棄透視點，任憑色彩、線條、形狀，帶領我登上名為畫筆的小船，這樣逍遙自在的乘在畫紙上。我的作品可能是不入流的，但藝術之美，人人各有尺度。

文末，我要先感謝家人和朋友的支持，這些年來我拼命追求自我，雖無形之中可能與他人產生摩擦與誤會，但因為愛，我才能心無旁騖地在遲暮之年，做自己想做的事。更因為繪畫，而尋回已失落的人生。

In the 1940s, Taiwan was in a time of poor supplies. My family did farming as a living. The life was hard for everyone. From the age of five, I found that I loved art very much. In my spare time, I picked up a straw and painted it in the mud. I hoped that I could become an artist in the future. But in reality, it was impossible to get the approval of my families because art was hard to make a living. You could only choose to study business-related school. After fighting for half a century, my life was more stable. I could finally re-pursue the artistic life that I had longed for.

I love painting. In the process of creation, I have the dominance of colors. I can do whatever I want. Mind and thoughts explored in my brain. In the way of learning painting, I had the chance to learn from many teachers and to learn a variety of painting styles from them. I try to break through the general aesthetics. I don't want to be limited from materials. I like to be myself. I have witnessed the ever-changing style of the earth, and have experienced countless changes in the journey of life. The memory I have collected in my heart has become the inspiration for my creation. I think art is the demonstration of real life.

First of all, I have a deep understanding of Chinese art, especially the essence of ink painting and the vividly portrait style. In Chinese ink painting, I find myself, my body and soul are - comfortable. I regard the flatness, roundness, retention, emphasis, and change in ink and wash as the way to get along with people and music. Or, a large number of blank will make a life of proper blanking more attractive as ink painting. It retain more possibilities and more spaces to develop.

I also constantly ingest Western painting. The Western culture has influenced my painting a lot. I especially admire the strange and quirky paintings. I want to demonstrate a variety of styles to my paintings. I will use a multi-point perspective. When I am immersed in the torrent of my consciousness, I simply abandon the perspective point and let the color, lines, and shapes lead me to a boat called a paintbrush. Therefore, I can ride on the drawing paper freely. My work may not be influential, but the beauty of art has its standards in everyone's mind.

In the end, I would like to thank my family and friends for their support. In the past few years, I pursued the true myself desperately. Although I may have friction and misunderstanding with others, because of love, I can almost do everything I want late in my life. Because of painting, I have found back my lost life.

 LIN PI YUN林碧雲(嵐晴) (噬夢體_ H73.5×W92cm_Acrylic on canvas_2020) Taiwan台灣

 LIN PI YUN林碧雲(嵐晴) (異相_多媒材_H 90×110cm) Taiwan 台灣

LIN PI YUN林碧雲(嵐晴) (山中幽靈_油彩_50號) Taiwan台灣